KNOT Magazine
Fall Issue 2022
John Grey
TEN YEARS OUT OF THE HOUSE
You’re on your usual riff,
shaking your head,
at what I’m wearing
because, in my childhood
you picked out my clothes for me –
you say yesterday so often,
time feels like it’s rewinding –
we may hit the Paleolithic Age any day now,
if you don’t start to realize
I’m not your little boy
with his hands behind his back –
it’s my tenth anniversary of leaving home,
barely a shred of that kid remains,
and I’m holding up,
I trust in my current situation –
I no longer play soldiers in the back yard
or climb half way up the oak
or measure my height with a wall and pencil –
I can drive a car,
sail a boat,
date a eunuch if I want to,
pass out drunk on a stranger’s lawn,
refer to the underwear I fling across the floor
as the dirty dozen –
you wouldn’t believe
the words that come out of my mouth now,
the number of syllables,
and I no longer cry over scratches
or get angry out of the blue,
or climb out the bedroom window –
I drink occasionally,
I have a dog ten times the size of Muggsy,
and I pick at the sores on my body
unadmonished -
but please, don’t look at the situation
as some kind of defeat,
I’m fed well,
I sing happy songs often,
I have an umbrella by my side
at the least sign of rain,
I’m off the donuts,
there’s no one special,
I sleep well,
I appreciate bird chirp,
especially first thing in the morning –
I’m accumulating
many small things
that build up to a larger me,
who’s been ten years out of this place,
ten years in a one-bedroom apartment
close to where I work,
and it’s time, I reckon,
to applaud myself,
so why not join with me,
you still in your nightgown,
me in an outfit
you hope the neighbors don’t see –
ten years that fit,
that look good,
that are chic
but comfortable,
ten years
you didn’t pick out for me.
John Grey is an Australian poet, US resident, recently published in Sheepshead Review, Poetry Salzburg Review and Hollins Critic. The latest books, “Leaves On Pages” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon. Work upcoming in Ellipsis, Blueline, and International Poetry Review.
A TIME OUT FROM FAMILY
I returned eventually
but kept quiet on where I’d been.
It wasn’t as if I was
in battle and my memory
was cluttered with the bodies
of comrades buried in
swamp water.
Nor was I shacked up
with some woman
I’d be ashamed to introduce
to the folks back home.
I fathered no secret children.
I committed no unspeakable crime.
First day back, I joined
family in the dining room
for Sunday dinner.
By eleven, the only ones
still up were my father and me.
We measured the silence
by the ticking of the hall clock.
I finally said something like
I needed time to myself.
He was lost for a response to that.
So I went up to bed
still knowing so much
that he would never know,
but losing no sleep over it,
and hoping he would do the same.
I had felt liberated
by being on my own.
And now, with my old blankets.
that familiar pillow,
it was as if I’d never been away.
But, had I never been away,
it could not possibly
have felt like that.
THE HOME FOR CLICHÉS
It’s where I hang my hat.
That is,
if I had a hat.
And a place
to hang it.
It’s also my castle.
Not sure though
that it would survive
a raid by Visigoths.
And home is where the heart is.
It says it right here
on this throw pillow.
I often get information
from what I lay my head on.
Of course,
when I leave the house,
my heart comes with me.
Even at a friend’s house.
Then, a friend’s house is
where the heart is.
My friend goes on and on
about his mortgage,
how his home
is a millstone around his neck.
That’s when I retreat gracefully,
go home to where
I’d hang my hat if I had one
and a place to hang it,
roam the turrets
of my castle
as long as there are no
Visigoths in sight,
while my heart beats the words,
“I’m here” over and over.
Then I feel around my neck
for any kind of millstone.
To be honest,
I don’t even know
what a millstone is.
Only that it’s heavy.
Heavier than a hat.
And I don’t even own a hat.