KNOT Magazine
Fall Issue 2022
Antonia Alexandra Klimenko
Under the Umbrella
I stand in my birthday suit doing the nature dance
under the light and the dark of the moon
I turn in my skin, the skin I came in–
revolving with the planets, with the seasons
with the broken umbrella outside my door
I turn in my skin, the skin I came in
and in the skin of my skin, slowly turning
Skin
that melting metamorphosis
that shelters interconnecting veins
pulsing
like railings in New York subways;
that protects blood-rivers and other living landscapes–
mirrors I will reflect but never see
Skin
who through thick and thin
records and traces with her zillion fingertips
the history of my life in Braille
who sloughs herself off as the caterpillar
or unveiling onion
then moves on without me
like the moon
like all things luminous
that leave always a sliver of themselves behind
Oh, skin!
Sometimes, I think there are so many of you!
Like a cat
I want to lick you clean
like a lover
to stroke your parchment
to inhale you slowly as I might a fuzzy peach
like a shaman
to heal myself the way you heal
To take my fear that crawls under you–
to take all the shadows we have together shed
and turn them into one translucent understanding
Fourteen times
they have cut you open
and sewn you back up again
Fourteen times
you have worn that crimson corsage at your delicate throat—
swallowed it all with quiet dignity
while I was off in that other country
leaking breath like ink in a God-damn sieve--
dragging my words like your flesh behind me
And, still the soul’s marrow
like my own bones’ thinning
moves through and beyond
the fading bruise of my existence
Often, I wonder
what is the mystery of your moving landscape
Wonder
where you and your gypsy violins wander off to…
If you know who and where you are when you get there
And, after
you have been multiplied, divided, subdivided
split like an atom and reduced to the smallest nth
will you still re-member me?
I like to think
I am a singing miracle inside my Mother’s skin
That you, my skin,
(oh, city of spandex! oh, city of balloons!)
belong to a family of skin
whose invisible memory-quilt stretches all imagination
That your feet dance with mine
in Moscow and Vienna
That your poems dance with mine
in and through the streets of Paris
That your eyes turn like seeds that open into flowers
That they will continue to turn and to open
beyond this blistering disintegration.
I like to think
that at this very moment
you are kneeling silently
with your brothers and sisters--
shimmering in your horrific beauty,
in the heavy mist, in the rising ash,
beyond the cruel and callused glare cast
by the lacquered shades of human lamps.
That you are too vast, too many
for any one museum
with no one to fill your stacks of empty shoes
That you are as raindrops and teardrops
whose only desire is to find an opening in closure
That your particles dance and hum in the dark
with the unblemished day of the newborn
with the newly delivered moon
wrapped in the coils of all ages
That you are as dust and stardust…
Everyone and Everywhere
Oh, skin!
What else can I tell myself
when your so strong, so tender ribbon
is all but coming undone?
Right now you are the perfect gift
wrapped inside yourself
while I,
(forever in eclipse) (always the skeleton)
stand stripped and exposed as any holocaust–
an old abandoned house in weeds
whose intimate scenery hangs tattered and flapping–
my broken umbrella weeping softly
outside my door
Oh, skin! Oh, skin!
how do you hold it all in?
untitled
the sky is falling!, the sky is falling!
--Henny Penny
i’m the one
who’s never home
when you knock
and if she is
when you don’t
admits no one
black or white
living or dead
henny penny had many heads
i’m the trick i performed
long before i was born
like this poem written backwards
i’m the stunt that defies
i’m the cry to deaf eyes
whose only reply is
ashes, ashes
the Lord moves in mysterious ways
and i am falling upward
i’m the earth that turns
and fells me from its tree
i’m the ocean that slides from my shore
i’m a point as moved as any fixed mark
i’m the eyes of the dead potato
that finds it’s way back in the dark
i’m the blood i give
but never give up
i’m the wine that flows outside the cup
i’m the truth inside the lie
i’m transparent fucking butterfly
the Lord moves in mysterious ways
so why can’t you or i?
i’m the play i’m writing without a plot
the word “forget“ that i forgot
the regret that once escaped my lips
the mercy that hangs now round my hips
with the pull of gravity
the real of unreality
the all or nothing the nothing of all
the indelible handwriting on the wall
that hummmms like a ghetto rhapsody
i’m the bum in the park who says less is more
the plexiglass sky of the invisible floor
the one who cries just outside your door
i’m the intimate stranger
who begs for just a glimpse of you
the Living Poem
the anonymous fingerprints of you
the enemy you befriend
whose soul can transcend you
the goodbye that may begin
but can never really end with you
i’m the saint, i’m the sinner
i’m the fish you ate for dinner
i’m the air growing thinnier as i sigh
i breathe the breathless
my death is deathless
i’m the song i sing when i rise
i’m the altar kneeling
the all revealing healing of the human kind
i’m the splinters i’m still peeling
from the cross i drag behind
i’m the mold and the molder
i’m the front-row-center season-ticket-holder
STEP RIGHT UP, FOLKS!
THE MYSTERY…THE STAR YOU’VE WAITED FOR!
i’m the protigee of the original sin
i AM the light i’m buried in
i’m the moth i’m the flame
i’m the prayers for the insane
i’m everywhere and nowhere
please remember my Name
Antonia Alexandra Klimenko trained as an actress at the American Conservatory Theater in San Francisco. She was first introduced on the BBC and to the literary world by the legendary Tambimutttu of Poetry London–publisher of T.S. Eliot, Dylan Thomas Henry Miller and Bob Dylan, to name a few. After his death, it was his friend, the late great Kathleen Raine, who took an interest in her writing and encouraged her to publish. Although her manuscript was orphaned upon ‘Tambi’s passing, her poems and correspondence are included in his Special Collections at Northwestern University. The former San Francisco Poetry Slam Champion and devotee of Spoken Word has performed at various venues such as the renowned Purple Onion and The Intersection for the Arts–the oldest alternative art space in the City by the Bay. Her one-woman-show, Where the Blue Begins was presented in conjunction with Sonoma’s performing art series Women on the Edge.
Most recently she participated in Three Room Prsss’ presentation of Dada a la Carte at the Mona Bismarck American Center for Art and Culture and performed in Entrée Dada at the Au Chat Noir. Klimenko’s work has appeared or is forthcoming in CounterPunch, The Original Van Gogh’s Ear Anthology, Iodine Poetry Journal, Howl: San Francisco Journal, The Seventh Quarry, Poetry News, The Bastille, Paris Lit Up, Strangers in Paris–New Writing Inspired by the City of Light, The Last Clean Dirty Shirt Anthology, Voyeur, The Indian River Review, The Best of Mad Swirl, Quail Bell, Southeast Review, The Criterion International Literary Journal, Occupy Wall Street Anthology (in which she is distinguished as an American Poet) and Maintenant: Journal of Contemporary Dada Poetry and Art archived at the Smithsonian Institute in Washington, D.C. and New York’s Museum of Modern Art.
She lives in Paris.